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Okyeame Kwame reveals why he prefers ladies with big ‘assets’

By Clement Edward Kumsah
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Multiple award-winning rapper Okyeame Kwame has revealed what makes him attracted to ladies with big butts.

Okyeame Kwame whose real name is Kwame Nsiah-Apau disclosed that he is fond of women with big butts because it serves as a cushion for thinking.

This is actually not the first time the sensational Ghanaian rapper Okyeame Kwame has exhibited his addiction to big butts through his actions and inactions.

In January 2016, Okyeame Kwame in celebrating nine of marriage shared a picture of him kneeling and back of his wife, literally worshipping his wife’s butts on Instagram.

The photo was captioned: “No matter how many times you ask, wherever you ask, whenever you ask, the answer will always be a YESSS!!!!! Happy anniversary superman!!!! Thank You for being my husband @okyeamekwame”

However, speaking in an interview with Delay on the Delay Show, Okyeame Kwame said he is glued to big butts because it is artistically beautiful and also make him feel proud when walking with well-endowed ladies in town.

Okyeame Kwame jokingly added that he addicted to round butts because “in Africa beauty is measured in roundedness”

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In 1997 Okyeame Kwame achieved notoriety as a member of the "Akyeame" hiplife duo, together with fellow Ghanaian Daniel Kofi Amoateng (under the stage name Okyeame Kofi).

They recorded together the albums "Nyansapo" ("Witty Knot", 1997), "Nkonsonkonson" ("Shackles", 1998), "Ntoaso" ("Continuity", 2000) and "Apam Foforo" ("New Testament", 2002). He performed solo under his own record label One Mic Entertainment, in Accra since they parted in 2004. He also featured renowned Ghanaian highlife and hiplife artists as Daddy Lumba, Kojo Antwi and Ofori Amponsah.

For declaring himself B.R.A (Best Rapper Alive) in a song he recorded after winning Ghana Music Awards Artist of the Year award in 2009, Okyeame Kwame sparked a conflict with fellow Ghanaian rapper Obrafour, who saw himself more deserving.

This resulted in one of the memorable feuds the Ghanaian music scene has seen, with Obrafour challenging Okyeame Kwame to a rap battle on the streets which Okyeame Kwame refused to show up.

Okyeame Kwame has since contributed his quota to education and the promotion of scholarship, his rap lyrics (which incorporate didactic themes, social consciousness and poetry) being studied in some Ghanaian Universities.

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